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上海書展閉幕：圖書銷售碼洋增長31.6%，文創銷售增長100.1%
2025-08-21 15:49:48.0 来源：中国出版传媒商报 文/张馨宇 孟丽媛 责编：张晓丹
文學表達探索照見時代
2025年上海书展汇聚了众多作家及其新作，通过丰富多元的主题对话与分享，生动展现了当代文学的深度与广度。书展成为作家与读者、文学与生活深度对话的桥梁。
在乡土叙事的领域，作家们带来了创新表达。孙惠芬携新作《紫山》，将目光投向辽南乡村在城镇化进程中的精神变迁。赵德发则以《大海风》聚焦海洋文明，通过渔业与航运业的发展史，展现中国沿海城市的开放图景。
跨文化寫作呈現出新的探索方向。茅盾文學獎得主徐則臣帶來了耗時15年創作的《域外故事集》，生動呈現了文化碰撞的微妙瞬間。
对抗战历史的书写则展现了多维度的呈现方式。祝勇的《国宝》以故宫文物南迁这一重大历史事件为背景，塑造了战乱年代坚守“文物在，人在”信念的“故宫人”群像。王尧的《桃花坞》则以苏州一个知识分子家庭为视角，展现了抗战时期知识分子的气节与深沉的家国情怀。
在上海作家于乌镇分会场进行的抗战文学对话中，高渊的《诺曼底公寓》以建筑作为历史纪念碑，通过一位看门少年的视角呈现战火中的人性；而小白的《封锁》则在密闭空间中浓缩了悬疑与人性的张力，两部作品都涉足了影视改编，展现了抗战题材的新可能。
城市传记也找到了独特的文学表达路径。张况的《佛山传》（“丝路百城传”丛书之一）以诗性的语言书写佛山千年文化脉络，成为传播岭南文化的重要载体，并已亮相多个國際书展。
关于当代人的精神困境，特别是青年的价值迷茫，成为书展上重要的集体对话议题。阎真以其经典之作《沧浪之水》剖析体制内知识分子的挣扎，新作《如何是好》则深入探讨了多元社會中“五个愿意”（理想生活要素）的落空与坚守。
本届上海书展既是新作展示的盛大平台，也是文学与公众心灵对话的桥梁，作家们以笔为媒，将个体经验升华为时代镜像。
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"A list of the things you are going to buy," Mary remarked. To regain the highroad we had turned into a northerly fork, and were in as lovely a spot as we had seen all day. Before us and close on our right were the dense woods of magnolia, water-oak, tupelo and a hundred other affluent things that towered and spread or clambered and hung. On the left lay the old field, tawny with bending sedge and teeming with the yellow rays of the sun's last hour. This field we overlooked through a fence-row of persimmon and wild plum. Among these bushes, half fallen into a rain-gully, a catalpa, of belated bloom, was loaded with blossoms and bees, and I was directing Camille's glance to it when the shots came. Another outcry or two followed, and then a weird silence. Ferry led Kendall and me into the woods, the other two remaining. We found rising ground, and had ridden but a few minutes when from its crest we looked upon a startling sight. In front of us was a stretch of specially well farmed land. Our woods swept round it on both sides, crossed a highway, and gradually closed in again so as to terminate the opening about half a mile away. Always the same crops, bottom cause of the war: from us to the road an admirable planting of cotton, and from there to the farther woods as goodly a show of thick corn. The whole acreage swept downward to that terminus, at the same time sinking inward from the two sides. On the highway shone the lighted rear window of a roadside "store," and down the two sides of the whole tract stretched the hundred tent-fires of two brigade camps of the enemy's cavalry. Their new, white canvases were pitched in long, even alleys following the borders of the wood, from which the brush had been cut away far enough for half of them to stand under the trees. The men had quieted down to sleep, but at one tent very near us a group of regimental officers sat in the light of a torch-basket, and by them were planted their colors. A quartet of capital voices were singing, and one who joined the chorus, standing by the flag, absently yet caressingly spread it at such breadth that we easily read on it the name of the command. Let me leave that out. "Quite so. The man was all twisted from his hip, and he had a crooked nose." They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger. “But she knew them,” objected Dick. “She wouldn’t throw over the wrong ones and she couldn’t get the right ones.” “That’s what we thought.” "Well, if I had sich a name as that I wouldn't expect people to git it right. There's no sense in havin' a Dutch name that makes your tongue crack like a whip. Well, this Mr. McFillemgoody is Si's boss, and he writes a nice letter, and says Si done so well at Chickamaugy that some other boss—a Colonel or Corporal—" "It is not good to be free," he said at last, in a reasonable, weary tone. "In the cold there is a bad thing. In the rain there is a bad thing. To be free is to go to these bad things." "To London!" HoME免费看一级a视频ENTER NUMBET 003www.efvb.com.cn