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奧黛麗•赫本一組未曝光生活照下周起在倫敦展出
2009-04-27 10:44:55.0 来源：新华网 责编：任伟
【編者按：因主演《羅馬假日》而一舉成名的奧黛麗·赫本在大銀幕上塑造了一系列清新可愛的經典形象，而定于下周在倫敦展出的之前從未曝光的一組赫本生活照，將向公衆展示現實生活中赫本沈靜溫婉的另一面】
【中华印刷包裝网】據英國《每日電訊報》２５日報道，這組照片是赫本１９５７年前後在法國巴黎拍攝影片《黃昏之戀》時，由山姆·肖在其拍片之余爲她拍攝的一組生活照。肖是好萊塢最負盛名的攝影師之一，他最爲世人所熟知的作品就是影壇巨星瑪麗蓮·夢露的白色連衣裙被風吹起時，她用雙手按住裙子瞬間的那張照片。
肖曾经用４年时间跟随赫本为其拍照。在即将公展的这组照片中，肖通过镜头捕捉到了赫本生活中沉静温婉的一面。在《每日电讯报》展示的一张照片中，赫本在拍片间歇倚树小憩，表情恬静。报道说，赫本的这组生活照定于４月３０日起公展，是赫本诞辰８０周年纪念活動的一部分。
赫本１９２９年５月４日生于比利时布鲁塞尔，她的父亲是英国银行家，母亲是一名荷兰女男爵。二战结束后，赫本于１９４８年前往伦敦学习芭蕾舞，毕业后成为一名职业模特。赫本后远走美国寻求发展，由于外貌清新脱俗，气质高雅，她成为好莱坞一颗耀眼的明星。赫本一生拍摄了３０多部影片，除因在《罗马假日》中扮演公主而获得奥斯卡最佳女主角奖外，她还四次获奥斯卡奖提名，代表作还有《窈窕淑女》《第凡内的早餐》和《龙凤配》。１９９３年，赫本因结肠癌在瑞士去世，终年６４岁。
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"A list of the things you are going to buy," Mary remarked. To regain the highroad we had turned into a northerly fork, and were in as lovely a spot as we had seen all day. Before us and close on our right were the dense woods of magnolia, water-oak, tupelo and a hundred other affluent things that towered and spread or clambered and hung. On the left lay the old field, tawny with bending sedge and teeming with the yellow rays of the sun's last hour. This field we overlooked through a fence-row of persimmon and wild plum. Among these bushes, half fallen into a rain-gully, a catalpa, of belated bloom, was loaded with blossoms and bees, and I was directing Camille's glance to it when the shots came. Another outcry or two followed, and then a weird silence. Ferry led Kendall and me into the woods, the other two remaining. We found rising ground, and had ridden but a few minutes when from its crest we looked upon a startling sight. In front of us was a stretch of specially well farmed land. Our woods swept round it on both sides, crossed a highway, and gradually closed in again so as to terminate the opening about half a mile away. Always the same crops, bottom cause of the war: from us to the road an admirable planting of cotton, and from there to the farther woods as goodly a show of thick corn. The whole acreage swept downward to that terminus, at the same time sinking inward from the two sides. On the highway shone the lighted rear window of a roadside "store," and down the two sides of the whole tract stretched the hundred tent-fires of two brigade camps of the enemy's cavalry. Their new, white canvases were pitched in long, even alleys following the borders of the wood, from which the brush had been cut away far enough for half of them to stand under the trees. The men had quieted down to sleep, but at one tent very near us a group of regimental officers sat in the light of a torch-basket, and by them were planted their colors. A quartet of capital voices were singing, and one who joined the chorus, standing by the flag, absently yet caressingly spread it at such breadth that we easily read on it the name of the command. Let me leave that out. "Quite so. The man was all twisted from his hip, and he had a crooked nose." They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger. “But she knew them,” objected Dick. “She wouldn’t throw over the wrong ones and she couldn’t get the right ones.” “That’s what we thought.” "Well, if I had sich a name as that I wouldn't expect people to git it right. There's no sense in havin' a Dutch name that makes your tongue crack like a whip. Well, this Mr. McFillemgoody is Si's boss, and he writes a nice letter, and says Si done so well at Chickamaugy that some other boss—a Colonel or Corporal—" "It is not good to be free," he said at last, in a reasonable, weary tone. "In the cold there is a bad thing. In the rain there is a bad thing. To be free is to go to these bad things." "To London!" HoME免费看一级a视频ENTER NUMBET 003www.7dai.com.cn